Panhellenic Bid Day
Panhellenic Bid Day celebration!
Panhellenic Bid Day celebration!
Jamie-Lee Josselyn (C’05) will host a conversation with journalist and cultural critic Kristen Martin (C’11) about her debut book of narrative nonfiction, The Sun Won't Come Out Tomorrow: The Dark History of American Orphanhood. The real history of being an orphan in America is nothing like the myth, and nothing like the American dream. Through a combination of in-depth archival research, memoir (Martin herself lost both her parents when she was quite young), and cultural analysis, The Sun Won't Come out Tomorrow is a compellingly argued, compassionate book that forces us to reconsider autonomy, family, and community. In this book, Martin delivers a searing indictment of America's consistent inability to care for those who need it most.
Kristen Martin (C'11) is a writer and critic based in Philadelphia. Her work has appeared in The New York Review of Books, The New York Times Magazine, The Washington Post, The Atlantic, The New Republic, NPR, and elsewhere. She received an MFA in nonfiction writing from Columbia University. Her debut narrative nonfiction book, The Sun Won’t Come Out Tomorrow, will be published by Bold Type in January 2025.
Our student-run open mic night welcomes all kinds of readings, performances, spectacles, and happenings. You'll have three minutes at the podium to perform. Bring your poetry, your guitar, your dance troupe, you award-winning essay, or your flash fiction to share.
Join us for a reading by members of Suppose an Eyes, a poetry workshop s ponsored by the Kelly Writers House. The workshop takes its name from a "portrait" in Gertrude Stein's Tender Buttons. Suppose An Eyes has two main goals: to provide a supportive place for poets to share and improve their writing and to organize readings where poets can present their work to the public. The group was founded in 1999 and is one of the longest running poetry workshops in the Philly area. The group has a diverse membership with poets of all ages and from a variety of backgrounds.
Renowned cultural critic Wendy Steiner, Richard L. Fisher Professor of English Emerita at Penn, will read from her latest book, The Beauty of Choice, then sit down with Heather Love, Penn Professor of English, to discuss the ways in which taste, beauty, and pleasure intersect in defense of women’s freedom. In The Beauty of Choice, Steiner offers a dazzling new account of aesthetics grounded in female agency. Through a series of linked meditations on canonical and contemporary literature and art, she casts women’s taste as the engine of liberal values. Steiner reframes long-standing questions surrounding desire, art, sexual assault, and beauty in light of #MeToo. Beginning with an opera she wrote based on Chaucer’s “The Wife of Bath’s Tale,” she presents women’s sexual choices as fundamentally aesthetic in nature — expressions of their taste — and artworks as stagings of choice in courtship, coquetry, consent, marriage, and liberation. A merger of art criticism, evolutionary theory, political history, and aesthetics, this book paints the struggle between female autonomy and patriarchal violence and extremism as the essence of art.
Wendy Steiner is the Richard L. Fisher Professor Emerita of English at the University of Pennsylvania, past Chair of the Penn English Department, and Founding Director of the Penn Humanities Forum (now, the Wolf Humanities Center). Her most recent books are The Beauty of Choice: On Women, Art, and Freedom (2024); The Real RealThing: The Model in the Mirror of Art (2010); Venus in Exile: The Rejection of Beauty in Twentieth-Century Art (2001); and The Scandal of Pleasure: Art in an Age of Fundamentalism (listed in the “NY Times 100 Best Books of 1996”). Steiner’s cultural criticism has appeared widely, and she is a Fellow of the Guggenheim Foundation, NEH, ACLS, and Royal Society of Canada. Steiner’s six opera libretti have been composed by Paul Richards, Frances White, and Mark Rimple. The latest, using both her text and her photography, premiered in New York in 2024, Upon Reflection: An Opera in Ten Images, starring soprano Sherezade Panthaki and the musicians of Parthenia. Steiner has presented multimedia installations in the 2019 and 2022 Venice Biennales.
Heather Love, a Professor in Penn’s English Department, is the author of Feeling Backward: Loss and the Politics of Queer History (Harvard University Press) and Underdogs: Social Deviance and Queer Theory (University of Chicago Press). She is the editor of a special issue of GLQ on Gayle Rubin (“Rethinking Sex”) and the co-editor (with Stephen Best and Sharon Marcus) of a special issue of Representations ("Description Across Disciplines"). In 2023, she published Literary Studies and Human Flourishing, co-edited with James F. English (Oxford University Press). Love has written on topics including comparative social stigma, compulsory happiness, transgender fiction, spinster aesthetics, and reading methods in literary studies. She is currently working on a new project ("To Be Real,”) concerning the uses of the personal in queer writing.
Join us for a meeting of the Writers House Planning Committee (also known as "the Hub") — the core group of engaged students, staff, faculty, and volunteers who help make things happen at Writers House. Anyone is welcome to become a Hub member by participating in Hub activities and helping out. Members of the Hub plan programs, share ideas, and discuss upcoming projects.
Save the Date! SPEC Spring Fling Weekend. More info to come Spring 2025
The University of Pennsylvania Naval Reserve Officers Training Corps will commission Midshipmen as Ensigns and 2nd Lieutenants in the United States Navy and Marine Corps
Save the Date (times tentative). Ivy Day Ceremony 2025. More information to come, spring semester.